I begin where breath forgets its own name,
in the narrow room behind the ribs
where silence pools like rainwater
after a long, undecided storm.
Te’ora—
a word that feels older than language,
as if it once meant
the first warmth that learned to move,
the moment light realized
it could travel.
I do not know if Te’ora is something I lost
or something that has been waiting,
patient as lichen on stone,
quiet as the moon rehearsing fullness
night after night.
I sit with my palms open,
empty enough to be honest.
Thoughts arrive like migratory birds—
some rest briefly,
some leave droppings of regret,
some circle without landing,
confused by the weather of memory.
Inside me, a river remembers
every version of my name
I have abandoned.
Childhood runs through it barefoot,
knees bruised by wonder.
Adulthood stands on its banks,
counting losses like prayer beads,
asking the water
when it became so heavy.
Te’ora moves beneath all of this,
not loud,
not demanding belief.
It hums the way the earth hums—
a frequency you don’t hear
until you stop trying to speak.
I have mistaken noise for living.
I have mistaken speed for purpose.
I have mistaken survival
for arrival.
Once, under a sky swollen with stars,
I felt how small my worries were—
not insignificant,
but properly placed,
like pebbles knowing
they belong to the river
and not the mountain’s ego.
The cosmos did not dismiss me.
It held me
the way an ocean holds a drop—
not by shrinking it,
but by teaching it
the shape of belonging.
Te’ora is not enlightenment.
It does not glow like a solved equation.
It is closer to moss
finding purchase in a crack,
to seeds breaking their own bodies
to become green.
It asks:
Can you stay
when the answers don’t come?
Can you listen
without translating everything into control?
I walk through forests that breathe back.
Each tree stands like a monk
rooted in patience,
its branches lifting unfinished prayers
into the blue.
I press my ear to bark
and hear time
moving slower than fear.
My inner landscape mirrors this—
a clearing where old arguments dissolve,
where grief is allowed
to sit down
without being interrogated.
Te’ora teaches me
that healing is not repair
but re-entry.
Returning to the body
as if it were sacred land
and not a battleground.
The stars overhead pulse
with nuclear honesty—
they burn,
they collapse,
they scatter themselves
so others may someday see.
Even destruction, they whisper,
is a form of generosity.
I think of all the ways
I have clung to versions of myself
already expired,
how I have begged yesterday
to forgive tomorrow.
Te’ora does not scold.
It widens.
It says:
You are allowed
to outgrow your own mythology.
In the quiet,
I feel my pulse sync
with something vaster—
not ownership,
not domination,
but resonance.
Like tuning a radio late at night
and accidentally finding
a song written exactly
for the ache you never named.
My breath becomes a small orbit.
Inhale—creation.
Exhale—release.
The universe repeats this endlessly,
galaxies expanding,
collapsing,
learning again
how to make space.
Te’ora lives in that rhythm,
in the pause between tides,
in the moment dawn hesitates
before touching the horizon.

I see now
that my inner journey
was never meant to end inward.
It was a spiral,
each return broader than the last,
until self becomes
a doorway instead of a wall.
I am not separate from the dust
that once belonged to stars.
My bones are borrowed light.
My doubts are recycled darkness.
Even my loneliness
is a constellation—
it only needed distance
to make sense.
Te’ora arrives
not as a revelation
but as recognition:
that I have always been
inside something listening.
The wind knows my questions.
The night carries my unfinished sentences.
The earth keeps my footprints
even when I forget where I was going.
And somewhere between
the smallest thought
and the largest sky,
I soften.
Not because everything is clear,
but because everything is connected.
Te’ora—
the quiet courage
to be alive
without armor,
to stand in the vastness
and say softly,
I am here.


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